This week we are happy to give-away two CDs from one of our favorite labels, Jagjaguwar / Secretly Canadian. An added excitement is that both artists appear on Echolocations 5.5: Flood Pt. 1, which is being shipped out today, and both albums are not set for release until mid February. If you want to be thrown in the hat for a free CD email: info@echolocations.com with your name and address.

Bon Iver's debut full-length "For Emma, Forever Ago" has been making major waves in critics circles based on the strength of an early artist-pressed advance cd and a couple awe-inspiring sets at CMJ in October. The New York Times called it "irresistible" and Pitchfork stamped its early review of the album with a Recommended tag. Bon Iver (pronounced: bohn eevair; French for "good winter" and spelled wrong on purpose) is a greeting, a celebration and a sentiment. Justin Vernon moved to a remote cabin in the woods of Northwestern Wisconsin at the onset of winter. He lived there alone for three months, filling his days with wood splitting and other chores around the land. This solitary time slowly began feeding a bold, uninhibited new musical focus. The days slowly evolved into nights filled with twelve-hour recording blocks, breaking only for trips on the tractor into the pines to saw and haul firewood, or for frozen sunrises high up a deer stand. All of his personal trouble, lack of perspective, heartache, longing, love, loss and guilt that had been stock piled over the course of the past six years, was suddenly purged into the form of song.

Throw Me The Statue was conceived and is fronted by Scott Reitherman, "Moonbeams", was constructed with the help of Casey Foubert (Sufjan Stevens, Pedro The Lion) to create a wondrous concoction of fuzzed out synths, brass ensembles and epic vocal melodies. While the front of the album is nothing short of the next evolution of skewed Northwest bombast with "Lolita," "Yucatan Gold" and "About To Walk" , the second half displays an unexpected maturity in young Reitherman. The title track oozes down tempo vulnerability while the closer, "The Happiest Man On This Plane" combines the best of Reitherman's predecessors Phil Elvrum and Dave Bazan. TMTS's live show has been described as "Wildly energetic. Live drums, electric guitars, and four-part harmonies replace Reitherman's multitracking, and the able, athletic band switch instruments, add extra percussion, and throw in melodica and glockenspiel with an abandon grounded by serious musicianship." (The Stranger, 2007)